COFFEY:  What’s the word, Yannman?!  How’s it?

YANNMAN:  At the moment, it’s quite cool. Depends on the music I listen to. Fresh. Funky with a touch of deepness, thanks!

COFFEY:  We’ve been searching high and low for a nickname for you at the Ammo Camp.  Any special words to Chris Wreckage for coming up with “Yannman?”

YANNTEK:  Indeed: One day… One day we’ll make a Yodel-Funk competition, wait for it!  Haha, big ups Chris!

COFFEY:  Tell us a little about ya’self.  Where you’re from, how old you are and all that jazz.

YANNTEK:  Well, I’m currently living in Binsfeld, which is in North Rhine-Westphalia, Germany. But not for much longer I hope I’m 19 years old and yeah.. I love Jazz!

COFFEY:  What inspired the name “Yanntek.”

YANNTEK:  As my real name is “YANNick” and one of my aims is to develop and design recognizable and special producing TECHniques, I decided to call this project Yanntek.  Additionally, I love futuristic and TECHnical stuff.

COFFEY:  How’d you end up getting into Drum & Bass?

YANNTEK:  Honestly, I was never really into Drum & Bass and “snare-influenced” electronic genres. They weren’t powerful and defined enough for my taste, also I found them kinda cold, emotionless.

Then I discovered “Secrets That Burn” by Xilent one year ago and this moment changed everything. I started listening to Neurofunk and tried to produce my own tune of this genre.

COFFEY:  What inspired you to start producing?

YANNTEK:  I think a sort of inspiration was inborn, as my father played different instruments in several Cuban bands for a long time and my grandfather was leader of a music-ensemble in Germany.

When I listened to diverse songs at a very young age, I wondered how particular sounds I liked were made and sometimes felt the need to change some of these sounds/arrangements the way I preferred.

So I took piano lessons for a couple of years and then got myself my very first drum pattern software called Beatcraft. Was at the age of 11 or 12. From then on there was no turning back for me.

COFFEY:  Speaking of producing, you just released tunes “Wings” and “Night Flight” on Ammunition, both of which are getting some huge support, and tearing up the charts.  Number 8 in Beatport’s Dnb Releases section?!  Madness.  Tell us a little about that release.

YANNTEK:  Haha, well I didn’t expect that ranking at all, thanks to everyone supporting me! With “Wings” I tried to go a little bit in a dreamy direction and tried to convey an uplifting feeling at the same time, as “having wings” is a dreamy but uplifting topic

Same as for the Audiosurf Ep, I tried to produce the second tune with a total different feeling. Xilent posted his video of his gig in Tokyo during this time which fascinated me and as I love Japan/Tokyo, I decided to make a tune with the feeling of “flying over a big city”, like Tokyo.

COFFEY:  Mandatory question: What does your production setup consist of?

YANNTEK:  I’m producing on an iMac with Cubase 5 as my main DAW (I made Audiosurf with Logic Pro tho) and for studio mixes and certain future collaborations I use Ableton Live.  For monitoring I use the Yamaha HS80M and KRK KNS-8400 headphones connected to a Saffire Pro 14 interface.

COFFEY:  If you had a Yanntek fanboy come up and hump your leg for production advice, what would you tell him?

YANNTEK:  A boy humping my leg?? Not a pleasant imagination to be honest… But well, my answer depends on the question he’d ask. My general advice is: Listen, analyze, practice, develop. That’s how I do it.

COFFEY:  Would you prefer if it was a Yanntek fan… girl…. humping your leg?

YANNTEK:  I don’t prefer any beings humping my leg!!!

COFFEY:  You sir… are a liar.

YANNTEK:  You’re right.  I’m a goddamn liar.  In reality, I’m a special agent alien, sent from outta space.

COFFEY:  Lol, word?!  That must be where you get your signature style few producers are able to accomplish then, right?  You and Xilent seem to be shaping up this emerging “subgenre” in Dnb / Neurofunk.  What are we calling it?

YANNTEK:  Thanks!  We call it ULTRAFUNK. This shall be the positive way of looking into the future…

 Latest tracks by Yanntek

COFFEY:  Funky.  Do you have any influences when producing Dnb?

YANNTEK:  Hmm, there’re a lot of influences for me.  Mostly futuristic / fantasy imaginations, pictures, feelings…  and of course Xilent, Receptor, Kloé and Noisia. Oh and I love to get inspired by the Namco Sound Team who make the Tekken soundtracks.  Especially love the ones from Tekken Tag Tournament and Tekken 5. Hwoarang ftw.

COFFEY:  Can you give us a list of some of your favorite artists?

YANNTEK:  When it comes to Neurultradrum’nfunkjunglebass: Xilent, Kloé, Noisia, Receptor, Engage, Kung, Landscapers, Wreckage Machinery, Neutral Point, Bcee, Netsky and sometimes I even enjoy to listen to some good ol’ Rey Keith tunes.

COFFEY:  Top 10 current favorite tunes?

YANNTEK:

1. Kito & Raija Lee – This City (Asa & KOAN Sound Remix)
2. Xilent – Evolutions Per Minute
3. Xilent, Imprintz & Kloé – Gone
4. Teknian, Asa & Kasket – Jirachi
5. Aethek – Vertebrae
6. Mark Knight ft. Skin – Nothing Matters (Noisia Remix)
7. Yanntek – Ancients Of Future
8. Xilent – Skyward ll
9. Fuzzy Logic & Jada Pearl – All My Love (Xilent Remix)
10. EdiT – Laundry

COFFEY:  What’s a Genma?

YANNTEK:  It’s the moon and a hammer. An elf and and an angel. Two suspects in need of blueberry pie.

COFFEY:  HA, “suspects.”  Well played sir!  I heard you’re helping run the badman sub label of Ammunition, Caliber Music.

YANNTEK:  Ah, you did? Well yeah, then it’s true I think!

Really enjoy it so far, it’s a whole new experience and can’t wait to announce the forthcoming releases there!  It’s gonna be PURE MADNESS with some huge producers!

COFFEY:  Give us a random fact that we don’t know about you.

YANNTEK:  I love Wavetable synthesis and 96 dB slew rate on filters.

COFFEY:  If you could do away with any 1 song on the planet, what song would it be… and why?

YANNTEK:  Well I dunno which consequences this would have on earth, causality is really a sulky bitch but.. Yes, it would definitely be the song “Lebt denn der alte Holzmichl noch” by De Randfichten.

Why? Because I hate this kinda music so much and this song even got the 3rd place in the German charts back then. Means I was forced to hear it everywhere at any second.

COFFEY:  Anyone you want to bigup, shoutout, give a holler, or leg hump?

YANNTEK:  Bigups, hollers AND even leg humps to all the listeners supporting me, to Xilent, Kloé and Axel from NFG! And of course.. to you.. lovely Café

CAFÉ:  Awww, thanks Yannman! <3

FIND YANNTEK @

• http://www.SoundCloud.com/Yanntek
• https://www.Facebook.com/YannickPozoVento
• https://www.Facebook.com/YanntekMusic

FIND COFFEY @

• https://www.Facebook.com/Coffeystep
• http://www.SoundCloud.com/Coffeystep

So we hit 4,000 heads @ the Ammo Facebook last night (non fan page).  As a token of our appreciation for all your support, we’re putting up a massive tune for free download. “Shade of the Knight” by Imprintz & Kloé!  Big tune is big!

DOWNLOAD HERE: Imprintz & Kloe – Shade Of The Knight

VIDEO: Xilent playing Yanntek’s “Ancients of Future”

Continuing in laying down stormer after stormer, Yanntek impresses yet again with 2 wickedly programmed neurofunk beats!

Yanntek, based out of Germany, is currently gaining widespread recognition across the circuit, causing HUGE waves with each release, in his take of what seems to be shaping up as “ultrafunk.”

With uplifting melodies, big basslines, and tight neuro drums, all infused together with a keen ear for mixdown, Yanntek’s “Wings” EP is a recipe for success. Already tried and proven on dance floors, this release is receiving big support from the likes of Mayhem, Kloe, NeurofunkGrid, and The Neurosphere Show to name a few!

This one due out Feb. 6th, 2012 on Ammunition Recordings!

Find Yanntek at:
- Facebook
- SoundCloud 

START DATE:  January 16th, 2012
END DATE:  March 18th, 2012
JUDGING:  March 19th – TBA

Imprintz & Kloe put up a stormer from their debut release w/ Ammunition!  Open to anyone and everyone, get in on this Remix Competition, put up by DogsOnAcid and Ammunition, for a chance to win some cool t-shirts, cash, and a release on Ammo!

Link: Preview Original Track @ Beatport
========
PRIZES
========

1st Place:

• Full Digital Release on Ammunition Recs*
• 2 DogsOnAcid Shirts
• $50 Visa Card

2nd Place:

• Full Digital Release on Ammunition Recs*
• 2 DogsOnAcid Shirts
• $25 Visa Card

3rd Place:

• Full Digital Release on Ammunition Recs*
• 2 DogsOnAcid Shirts

??? Place: **

• Full Digital Release on Ammunition Recs*

* Full Digital Release across all of Ammunition Recordings major distributors includes iTunes, Beatport, Juno and many more.
** More than 3 remixes may be chosen if Ammunition Recordings feels the remix meets certain standards for release.

=====================
RULES & REGULATIONS:
=====================

• All winners considered must be a member of DogsOnAcid.
• Artists submissions of the remix must be submitted by 11:59PM EST on March 19th, 2012
• Stems and samples are copyright of Imprintz & Kloe & Ammunition Recordings.
• The stems and samples provided are NOT TO BE USED IN ANY OTHER MEDIA (In example: Songs, Video, Production, etc) besides the remix.
• You MAY NOT publish a full length remix to the public. Publishing a preview is allowed of up to 2 minutes in length. The copyright and distribution rights shall remain the copyright of Ammunition Recordings exclusively.
• The remix is produced for Ammunition Recordings exclusively. The remix shall not be released through any other methods such as labels, distributors, or aggregators, unless otherwise noted, or permission is given.
• If otherwise noted or permission is given for promotion or release of the remix, one MUST INCLUDE and give full credit to the original artist (Imprintz & Kloe) and media name (Shade Of The Knight.) Format is as follows: “Imprintz_&_Kloe_-_Shade_Of_The_Knight_(ARTIST_REMIX)”
• Ammunition Recordings reserves the right to manufacture, distribute, promote, and license artist’s media to exclusive DJ’s, promoters, announcers, radio stations, labels, and more on the Ammunition Recordings network, for the good of the label and artist.
• Ammunition Recordings shall have the right to use the artist’s name, photographs, likeness and biography in connection with promotion, advertising and sale of artists’s media. Ammunition Recordings is not required to notify the artist of said actions unless Ammunition Recordings in it’s sole discretion decides to do so.
• If your remix is chosen, you must provide a 16-bit wav file of your remix. Not having a 16-bit wav file format of your remx will cause disqualification from the competition.
• Only 1 submission per contestant will be accepted. BE SURE the one you submit is you’re final.

====================
SUBMISSION PROCESS:
====================

To properly send Ammunition Recordings your submission:

1. Create a zip file titled “AmmunitionRecs_Remix_Comp_-_ARTIST_NAME_HERE” (Your name in Artist Name Area)

2. Place full version 320kbps Mp3 file of Remix into the zip file. (DO NOT INCLUDE THE WAV FILE! If your remix is chosen, then you will send Ammunition Recordings the 16-bit wav file.)

3. Create and place a Text Document containing your contact information:

• Name (Artist Name & Real Name)
• Email Address
• URL’s for Facebook & SoundCloud

4. Upload zip file to www.Sendspace.com.

5. Copy the Download Link, AND File Delete Link provided by Sendspace, after upload has completed. (BE SURE To copy the File Delete link as well!)

6. Send those links to AmmunitionRecs@Yahoo.com, subject DOA X AMMUNITION RECORDINGS REMIX COMPETITION.

==============================
USER TERMS AND DIGITAL RIGHTS:
==============================

By submitting media including all stems, samples and intellectual property to this contest, Ammunition Recordings and its holdings represent and warrant that DogsOnAcid, our site users and licensees shall not be required to make any payments with respect to material that you submit, including, but not limited to, payments to you, third parties, music publishers, mechanical rights agents, performance rights societies, persons who contributed to or appear in your materials, your licensors, unions or guilds. You warrant that Ammunition Recordings has full right and power to enter into and perform under these Terms, and has secured all third-party consents, licenses and permissions necessary to enter into and perform under these Terms, The material that you submit to this agreement does not contain “samples” of any third party’s sound recording or musical composition and will not infringe on any third party’s copyright, patent, trademark, trade secret or other proprietary rights. By submitting sound recordings or musical compositions or other audio and/or audio-visual content to us, you grant us, our affiliates, and our business partners a worldwide, royalty-free, nonexclusive license to:

• Publicly display, broadcast, encode, edit, alter, modify, reproduce, transmit, manufacture, distribute and synchronize with visual images your material, in whole or in part, alone or in compilation with content provided by third parties, through any medium now known or hereafter devised for the purpose of demonstrating, promoting or distributing your material, to users seeking to enter this contest.
• Make your material accessible as audio and/or video streams over any outlet preferred by Ammunition Recordings or DogsOnAcid.
• Use any trademarks, service marks or trade names incorporated into your material and use the likeness of any individual whose performance or image is contained in your material for the purpose of marketing this contest and submissions enter by our users.

Ammunition Recording and DogsOnAcid warrants that all submissions will retain the ownership of their rightful parties as outlined in the Artist and Song details along with the intellectual rights of the “remixer” and defined in the user(s) site profile details as submitted to DogsOnAcid for submission. Each user submission will agree to provide Ammunition Recordings with the user account details of their DogsOnAcid account including; their location, email and any other additional personal information required for or outlined in registration and submission.

Incube – Starscream [Ammunition Dub]

Incube&Lost – Lifepath [Ammunition Dub]

Tranquil cover; Far from tranquil beats!  Incube, based out of Russia, exports traditional grimey sounds as per the territory!

Laying down two slices of wicked neurofunk, Incube gets down to business with “Starscream,” melding high energy with industrial sounds and mechanical effects, painting a picture in the mind as if beasts showing teeth!

Continuing with killer sounds found on the flip, Incube & Lost collaborate and put up a traditional neuro stepper, jam packed with great atmos and basslines that weave in and out of tightly programmed / compressed neuro drums!

This one due out Jan. 23rd, 2012 via Ammunition Recordings!
Incube @ Facebook
Incube @ SoundCloud 

Unspoken Ep. – The Marphoi Project [Ammunition Recordings] by The Marphoi Project

Based out of Italy, The Marphoi Project engineers signature sounds with lustrous ambiance and invoking moody melodies! Delivering a killer release for Ammunition, The Marphoi Project puts up two songs on one release, titled “Unspoken.”

Creating a HUGE impact as the opening tune to the recent Ammo Podcast, “Unspoken,” sounds as if taken from the score of a blockbuster film, with an uplifting, piano laden intro, to all of a sudden twist and warp its way into a dark electronica stepper over a sudden 16 bars.

The flipside, a bit more traditional for Ammo, follows the same opening structure (killer intro!), but drops into some proper grimey Drum & Bass rhythms, sure to make the dancefloor move!

This one due out Jan. 9th, 2012 via Ammunition Recordings!

“Since we signed this label, we have always been impressed with their catalogue! Ammunition Recordings is the Drum & Bass label of the year!” - Symphonic Distribution

With many successful releases in 2011, Ammunition has recently received the award for “Drum & Bass Label of The Year” on our distributor, out of thousands of labels, AND for the 2nd year in a row!  We would like to extend our HUGE thanks to everyone that has shown support in helping us get this far, and a big thanks to the guys at Symphonic for their hard work, great communication, and continued partnership.

Here’s to a big 2012!  Hoorah!

Melding huge cinematic soundscapes, powerful melodies, big compressed drums, and snarling basslines together is no easy task.  Well, and making it sound great in Drum & Bass anyways.

However, the production duo previously known as Imprintz & Kloe pulled it off with ease, time and time again!  After some hugely successful releases on Ammunition, Imprintz & Kloe decided to let a select few producers have their take, with stems landing in the hands of talents Xilent and Exorcist!

Xilent & Exorcist each put their own spin on these melodic infused quality stompers, branding each with their own signature style.  Receiving some great support since, Ammo has now released these bombs for the masses!  Grab em!

Buy @ Beatport
Buy @ JunoDownload
Buy @ TrackItDown

Imprintz & Kloe “Till The End” (Xilent / Exorcist Remixes) EP ft. @ Beatport!

Find Xilent @
- Facebook
- SoundCloud

Find Exorcist @
- Facebook
- Soundcloud 

Ammunition Recordings Podcast 015, with an Exclusive Guest Mix by Telekinesis!

Download / Subscribe @ SoundCloud
Download / Subscribe @ iTunes

Ammunition Recordings Podcast 015 – Guest: TELEKINESIS by Ammunition Recordings

Yomg, what’s that you say? It’s only been about a month and Ammunition is back with the newest installment in their Podcast Series?! Hells yeah we are!

Funk you! Mixed & Narrated by yours truly, Coffey gets into the dirty, dropping some wicked Drum & Bass belters!

AND you want some sneaky peaky?! *GASP!* Of course you do! From debut producers, to some Dnb heavyweights, Ammunition delivers yet again in giving everyone an insight into what’s to come on the Drum & Bass circuit, as well as versing you in tunes that are currently out there and smashing it!

On top of a killer mix, Ammo recruits some HUGE talent out of Slovenia for the Exclusive Guest Mix, production group Telekinesis! With huge support from across the globe, Telekinesis are leaving ears wanting more in their wake of destruction! With a killer catalog and releases on imprints such as Bad Taste, BlackSunEmpire, State of Mind, and Breed12Inches to name only a few, be ready for quality tunes to be laid down by these two talents!

Hope you all enjoy!

- Written Tracklist -

Ammunition Recordings Podcast 015

Warmup Tune: The Marphoi Project – Unspoken (Ammunition Dub)

01. Miss Redflower – Novelty (Ammunition)
02. Engage – Behind The Mirror (Dub)
03. Silent Extent – The Blue Room (Dub)
04. Ford – Gone (Ammunition)
05. Landscapers – Superpunk (Mindtech Dub)
06. Incube – Starscream (Ammunition Dub)
07. Imprintz & Kloe – Untitled (Dub)
08. Kinetik, Treo & Wreckage Machinery – Legacy (Sinuous)
09. Coffey Vs Soulstorm – Synner (Ammunition Dub)
10. Blokhe4d & Gridlok – Bad Kat (BadTaste Dub)
11. Kung – Black Lion (Ammunition)
12. Int Company – Untitled (Dub)
13. Mindscape & Jade – Orion (Commercial Suicide Dub)
14. Ble3k & Kryteria ft Stephanie Kay – Dangerous (Dub)
15. NeverDark – Pychosis (Ammunition Dub)
16. Emperor – The Fire (Dub)
17. Emoshin – Arms Race (Ammunition)

- TELEKINESIS GUEST MIX TRACKLIST -

01. Optiv – Boudicca [Telekinesis Rmx] (Red Light)
02. Fourward – Space Car Wash (Mainframe)
03. AtoM & Custom Soldiers – Train Wreck (Close2Death)
04. Maztek & Sleeper Cell – Surreal (Contaminated)
05. Amex & Kantyze – Manoeuvre [Dextem Rmx] (Perkussiv)
06. Kantyze – Shoton (Suspect Device)
07. Chris.su & Jade – Digital Mind (M-Atome)
08. Telekinesis – She Wants to Skate (Dub)
09. Custom Soldierz – Show You (Mindtech)
10. Disphonia – Collapsed (M-Atome)
11. Allied – Cryptic Era [Chook Rmx] (TrustInMusic)
12. Treo – Machinist (Dub)
13. Axi – Safe House (Dub)
14. Treo – Infection ft. Hostile MC (Dub)
15. Xilent – Skyward (AudioPorn Dub)
16. Jade – Shift VIP (Close2Death)
17. Telekinesis – Terror (Close2Death)
18. Bulletproof, Concord Dawn & Optiv – Scorched Earth [Kemal Rmx]

FIND TELEKINESIS @
- http://www.SoundCloud.com/Telekinesis
- http://www.Facebook.com/TelekinesisDnb

FIND AMMO @
- http://www.AmmunitionRecordings.com
- http://www.Facebook.com/AmmunitionRecordings

FIND COFFEY @
- http://www.Facebook.com/Coffeystep
- http://www.SoundCloud.com/Coffeystep

Coffey:  Tell us a little about yourself.  A/S/L?  lol

Ford:  I’m 19, I live in a lovely place called Huddersfield… England.  I’m studying Music Technology at Uni, but I spend nearly all my time producing.

Coffey:  How did you end up getting into Drum & Bass?

Ford:  I got heavily into dubstep after my friend showed me a Datsik track at school.  After about a year or so, I felt it had begun to repeat itself and so I was hunting for some more tasty bass.  I stumbled upon Calyx & Teebee, and was instantly sucked into the world of neurofunk.

Coffey:  Nice!  Love me some Calyx & Teebee.  So, why did you choose the name “Ford?”

Ford:  I didn’t.  It chose me.

Coffey:  Like the freakin car company, huh?  Hahaha, you know we love you!

Ford:  I drive a Ford Fiesta.  They craft a very decent automobile, that is all.  (Ford is my surname)

Coffey:  You just had your debut release on Ammunition Recordings, with your “Serrated” EP.  Tell us a little about that release.

Ford:  After producing HUNDREDS of 1-2 minute tracks, “Serrated” got picked up by The NeurofunkGrid.  Having heard the feedback from that track and various discussions with big-dogs like yourself  I managed to complete my first full length track.  The next 3 tracks fell in to place stupidly fast.  I made “Speaks” in a day while on holiday.

Coffey:  You’s a machine.  How is it to work with such an awesome label?  (Yeah, we like to toot our own horn! Teehee!)

Ford:  It’s been a pleasure so far, although it can be quite taxing having to put up with Coffey’s grandad-humour…

Coffey:  You bastard.  My jokes are gold!  *Sigh*  You and my woman would get along great, haha!  So what does your production setup consist of?

Ford:  My Mac and a pair of KRK’s.  Everything I’ve made is purely within Logic.

Coffey:  People are constantly commenting on your tight drums and insane programming.  Any advice for up’n'coming producers?

Ford:  One of the biggest problems I gave myself was trying to replicate my favorite artists basslines.  Creating the exact modulations, etc, is impossible.  Instead, I’d say create your own sounds, which in turn, for me at least, helped develop my style.

As for drums, trying to turn a soggy snare into a snappy drum hit isn’t going to work.  Any of my drums are usually layers and layers of different samples.  For example: Taking a snare with a nice attack on it and over compressing it, layering it with snares with better decays, etc.

As for the rhythms n such, being a drummer helps.

Coffey:  What are your influences in producing Dnb?

Ford:  I’ve played the drums for quite a while now, and so groove and rhythm are a huge interest to me.  Incorporating beats I learnt ages ago and putting them to 175 is a lot of fun

Aside from drums, I used to listen to instrumental / technical metal.  I’m hugely into funk as well.

Coffey:  Funk yeah!  Who are some of your favorite artists?

Ford:  It might surprise you but… Spor.  Calyx, Apex, Teebee, Inside Info, Billain, Noisia, Memtrix, Phace.

 Ford’s “Serrated” makes Beatport’s “10 Must Hear Dnb Tracks” for Week 48!

Coffey:  Ha, yeah huge surpised there!  All great artists, def.  Any plans on picking up DJ’ing in the future?

Ford:  Had my first mix about 3 hours ago  Very busy at the moment but I can hardly ignore it any longer.

Coffey:  Can you give us your Top 10 favorite tracks right now?

Ford:  

• Noisia & Phace – Program
• Apex – Disconnected
• Billain – Total Darkness
• Apex – Gonzo
• Noisia & Phace – Micro-Organism
• InsideInfo – Bit Rhythm
• Utopia – Force of Mind
• Maztek – Breakdown (VIP)
• Spor – Untitled Funk
• Calyx & Teebee – Shape of Things to Come

Coffey:  Any future releases / songs / projects that we should know about?

Ford:  I have a 4 track neurofunk EP forthcoming on Overtech Recordings.  My track “First Contact” is forthcoming on Mindtech Records.  I have a remix of Memtrix’s intermission forthcoming on Close2Death.  A progressive dubstep collaboration forthcoming on Cognition’s imprint.  There’s a track forthcoming on Genome Records, and three other collaborations which we are keeping under wraps for now.

Coffey:  Ooooh, under wraps you say?  How enticing, I wonder who they *cough* are with. *cough cough*.

Are you a poltergeist?

Ford:  Are you implying I’m a paranormal phenomenon which consists of events alluding to the manifestation of an imperceptible entity?

You must be mad, Sir.

Coffey:  Fack… alright, I’ll admit… officially creeped out, haha!  Any bigups, shoutouts, thanks, and all that jazz?

Ford:  Bigup to NEUROFUNKGRID, for pretty much starting my career.  Axel, you’re a legend.  Shout to Coffey, Jae Overtech, and Ian C2D.

Much love for Deaton, Mead, and all my house mates.

And huge respect for those who want your funk at high speed!

Follow Ford @
SoundCloud
Facebook

Leave your questions and comments for Ford below!